My son is in graphic arts class now, and he has to design a book cover. I want to expose him to really good cover art. Please post and discuss some of the your favorite cover art.
Here’s Barnes and Nobles’s top ten cover art of all time.
My son is in graphic arts class now, and he has to design a book cover. I want to expose him to really good cover art. Please post and discuss some of the your favorite cover art.
Here’s Barnes and Nobles’s top ten cover art of all time.
On this day of reflection I say again, thank you for going on this journey with me. I’ll see you at the movies.
Roger Ebert
Books are a uniquely portable magic.
(Stephen King)
What are you listening to in 2022?
A thread about podcasts. Yes, I’d be interested in hearing recommendations, and comments about your favorites, but I also thought we could speak more broadly about podcasts. For example, I started this because I wanted to discuss different interviewers and their styles. This notion came up when because I recently heard Marc Maron’s podcast, WTF for the first time, and the differences between his approach and someone like Rick Beato (who does youtube interviews) really struck me. The former interrupted his guest a lot–I want to say more than any other interviewer that I can think of. On the other hand, the latter, at least in the Pat Metheny interview, allows the guest to talk a lot, with very little interruption. If I interviewed people, I’d likely be more guilty of interrupting the guest, but I actually prefer Beato’s approach in the Metheny interview. (Metheny was loquacious, so Beato’s approach worked well. Such an approach may not work as well with a less talkative guest.) There are also some hosts who talk a lot, especially when formulating a question. Ezra Klein does this, as did Charlie Rose. Again, I could see myself being guilty of this, but I prefer an interviewer who says as few words as possible, especially when formulating questions.
To shift gears, I would appreciate recommendations, as I’m looking for more podcasts–especially since I don’t listen to any sports podcasts now.
The continuing activity of listening to albums on the weekends.
I always start this and never really put stuff here. Perhaps this will be the year.
I don’t know how our journalists came to see “storytelling” as the heart of what they do, and “storyteller” as a self-description. I can think of 4-5 elements of journalism more central than “story.” Truthtelling, grounding public conversation in fact, verification… listening.
— Jay Rosen (@jayrosen_nyu) December 25, 2018
I ran across Cowen’s talk recently, and I thought of this thread. I don’t have a lot of time now, but here’s a brief description of the thread. My sense is that journalists, and maybe more specifically publishers and editors, require news to occur within a narrative. Indeed, “stories” in the context of journalism is essentially synonymous with a newsworthy event or information. This is the reason I use the word tyranny. Must a narrative framework dominate the approach of journalists? What’s the downside and upside of that? Cowen touches on the downside–and he’s touching on many of the points I want to bring up. (I do want to push back on some of his points, too, though.)
I’ve been using a 100 point rating system, but I just realized a better system–and I’m not sure why I didn’t realize this much earlier. The system I have in mind is a 50 point rating system. Here’s the breakdown:
50 = all time great/favorite
45 = great/beloved film
40 = very good/like a lot
35 = good/liked
30 = good, but flawed/problematic
25 = just OK
20 = not good/disliked
15 = bad
10 = very bad
0 = all time worst/disliked
Week 10