Category: movies

With the Closing of Ideas Books and Music (Jelly’s), an Era Comes to an End

A few months ago, I went to Ideas Books and Music and discovered, to my dismay, that the store had permanently closed down. Although I hadn’t been going to the store as much, the closure saddened me, primarily because the store had been a big part of my life, starting in my 20s. Not only that, but the closing represents the end of era for me–specifically, going to used cd stores, which was a major leisure activity for me.

Before I say anything else, let me describe the two motivating factors sending me to these stores.

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The Need for Momentum When Consuming Certain Types of Media

If the title is confusing, I don’t blame you. I wasn’t sure what to call this post myself, and I’m not really sure how to start it…..So, I guess I’ll start by describing something I’ve recently observed–namely, that with certain media, if I don’t consume them regularly, they can be really difficult to get into. This applies specifically to mostly movies, TV shows, books, and writing–as in, taking the time to write something like this. However, suppose I watch a movie and then another movie right after that. If I see a movie soon after (say, the next day or two), the difficulty to sit watch the film isn’t so great. The same applies to books. If I read a book, and then another soon after, getting started and then finishing the book isn’t so difficult. Something applies to an individual book as well–namely, if I’m reading the book regularly and not really short spurts, then reading seems to flow. On the other hand, if my reading of the book is intermittent and each reading session is relatively short, reading can feel like a slog. It’s almost as if a type of momentum begins, making reading or watching a film easier. Has anyone else experienced this? If so, what do you think is going on?

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Robert Altman Thread

Criterion Channel is now streaming a collection of Robert Altman films, so I decided to start a thread on these films. Stylistically, Altman is probably most famous for features many different characters in his films and the use of overlapping dialogue, where characters talk over each other (which often occurs in real life). I should note that not all of these films have these qualities. If Altman’s films do possess features that are present in all his films, I don’t know what they are, but I hope to discover them as I watch these films.

Portland, Oregon 2025

Leaving the Portland airport, seeing the architecture of the homes and evergreen trees made me feel like I was back in Seattle. But as we drove into downtown Portland, two things stood out, distinguishing Portland from Seattle–namely, the Willamette River and the bridges, one after the other, a few rising high above it. Water features prominently in Seattle, but the water there is like an amoeba surrounding it, whereas in Portland, the Willamette is a strong line, cleaving the city in two, creating western and eastern sections. The Western side is more of the urban core, including the downtown area. The Eastern side is more suburban, with several portions of the longer streets and avenues filled with shops, restaurants and even movie theaters, creating a kind of charming main street vibe. I really like Seattle, but I might like Portland even more. The food scene seems just as good as Seattle, if not better, and they have probably the best bookstore I’ve been to. I want to talk about that store and also a used vinyl/cd/video store which I really liked as well.

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The New York Times 100 Best Movies of the 21st Century

I was debating whether to start a separate thread or include this in the thread about Film Comment’s best films of the 2010s, but a separate thread seems appropriate, even though there is a lot of overlap. In this thread, I’m going to discuss the list ten films per post, starting with the 100th film. Here’s the link to the article: The New York Times 100 Best Movies of the 21st Century (Note: I had trouble making this a gifted article, but if you want that, let me know, and I’ll try again.)

Some random thoughts before I begin:

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The Films of Azazel Jacobs

I’ve heard about Azazel Jacobs, an independent filmmaker, a while ago, but I never got around to watching his films (They were not readily available as far I know.)–which are in the vein of Cassavetes, Mike Leigh and more recently mumblecore filmmakers like Andrew Bujalski.

I recently watched four of his films, and I really liked them (with the possible exception of one of the films). Interestingly, three out of the four films were so slow and boring, I struggled to stick with them. Yet, all three of these films, about a third of the way, came alive for me, in a way that surprised me. How could a film that seemed so boring all of sudden become interesting? The funny thing is that the film that didn’t start slow (Terri) ended up being the least interesting and in my view least successful of the four films. (I wondered I was the problem, more than the films. Maybe I watched too much YouTube videos recently, making me impatient. But I got into Terri fairly quickly so I don’t think I was the problem.)

I’m going to use this thread to discuss Jacobs’s films.